“You are young for a philosopher,” said Joan. “I’m not indifferent to it,” answered Joan. “I’m reckoning on it to help me.”!

“I know you are only doing it because you sympathize with his aims and want him to win,” acknowledged the good lady. “But I can’t help feeling grateful to you. I don’t feel how useless I am while I’ve got you to run to.” “Oh, yes, there’s no make-believe this time,” answered the girl. “A bad thing for her if he wasn’t.”

They went into the drawing-room. Her father asked her to sing and Arthur opened the piano for her and lit the candles. She chose some ballads and a song of Herrick’s, playing her own accompaniment while Arthur turned the leaves. She had a good voice, a low contralto. The room was high and dimly lighted. It looked larger than it really was. Her father sat in his usual chair beside the fire and listened with half-closed eyes. Glancing now and then across at him, she was reminded of Orchardson’s picture. She was feeling sentimental, a novel sensation to her. She rather enjoyed it. He drove her back to Paris, and she promised to come and see him in his studio and let him introduce her to his artist friends. And suddenly something lying hidden there leaped to life within her brain. A mad desire surged hold of her to rise and shout defiance at those three thousand pairs of hostile eyes confronting her. She clutched at the arms of her chair and so kept her seat. The pibroch ended with its wild sad notes of wailing, and slowly the mist cleared from her eyes, and the stage was empty. A strange hush had fallen on the house.